Inspiration

Summer Scrapes

September 3, 2015

When I was a child I’d gauge how good a summer I’d had by the number of scrapes and bruises on my body. Knees scuffed from running on rough, dirt island roads, elbows grazed from falling off rocks and fighting with my brother, and an entire body of scratched and picked to death Mosquito bites. Yesterday, Iole gashed her knee racing down our garden path, and to quell her tears, I talked her through her summertime scrapes, reminding her of what fun she was having just before she got each one. “You can’t race around the laneways, bare foot and bare legged, without risking the odd scuff or two,” I told her. She’ll no doubt show her friends when she goes back to school next week, and with each scrape, will come a story of cycling with her Papa, climbing trees at the local playground, jumping off backs of boats into an ice cold lake and playing hide-and-seek with her pals on the street well past bedtime.

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In Bloom

September 2, 2015

My all time favourite wedding bouquet wasn’t a bouquet at all. It was a single white magnolia the size of the moon that my friend Zelmira carried when she married her long-time love at the Mairie de Biarritz. If I was to re-imagine my own wedding day blooms (big, beautiful and classic) I would carry as many colours and varieties as I could pack into my two hands. Think of it as the Monsoon Wedding of bridal bouquets!

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Cinderella’s shoes

September 1, 2015

When shoe designer, Charlotte Olympia Dellal got married she wore leopard print platforms under her Giambattista Valli wedding gown. It’s always a sweet surprise when an unexpected colour or print peeps out from underneath froths of classic white fabric. Red shoes are a playful, flirty twist on the pure, white dress, while cornflower shoes tick the “something blue” box. When I got married I wore beautiful stilettos in the softest peach, with a swatch of delicate pink fabric across the toes and Louboutin’s signature lipstick red on the soles. I wore them from 7 p.m. until the sun rose the following day. So happy was I, that I may as well have been barefoot. For the bride who wants something different, that’s still in keeping with the sophistication of her day, these bronze beauties are your girls. City hall wedding? These glitter bugs would look gorgeous with that cream day dress. And for sheer whimsy, pale blue butterflies on sliver strappies mean you’ll flutter down the aisle. 

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Pack and Play

August 31, 2015

Two flights to Europe in a month –– one to London, one to Rome, plus a weekend in Muskoka –– is forcing me to perfect my packing skills. Jason tends to carry a bag of his own, while I pack myself and the three children into another. Luma’s clothes fold to the size of a wash cloth, and our summer clothes, mostly cotton and rollable, don’t take up much room either. As always, it’s the shoes that pose a challenge, with Iole wanting to bring at least four pairs, and her mother wanting to do the same. We come to a compromise, and pack two pairs each, with one to travel in. If I consider our outfits for the week/weekend ahead, I can even cram us all into a Longchamp. One thing I never do is pack straight into the suitcase. Instead, I make piles on the bed or the floor, and do all my editing there. If I am not absolutely sure about something (that top is tight in Toronto, why would it fit in Tuscany?) I send it back to my cupboard. And here’s the order I pack: shoes first, and washbags –– both packed inside a cloth bag which I use as a laundry bag/diaper bag once we’re away. Accessories come next, then swimwear and underwear in fabric bags. I then pack each child so I can easily access their pile at the other end, and finish with my own things (fold it, roll it) on the top. And while I always travel with my own cosmetics, I’ve had too many sticky explosions to dare to travel with kid’s toothpaste again. So, I tend to pick up a shampoo and sunscreen at a local pharmacy at the other end, and leave it behind when we’re done. Wasteful, but worth it. And I always leave a little room for travelling indulgences. In Italy’s case, I may even bring a spare pliage. Because, how will I resist freshly pressed olive oil, Santa Maria Novella creams and teacups from Ceramiche Toscane the size of la bella luna?

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Basket Case

August 28, 2015

If money was no object, I’d cover my walls in Matisse, Klee, Delaunay and Dufy and catch glimpses of colours I never even knew existed every day. But when such colour kings are out of our price range, we look for other ways to bring texture, tangerine and delight to our walls. Places like the Conran Shop sells baskets like these for a pretty penny, but if you scavenge, I bet you’ll find them elsewhere for cheap as chips. A wall of them, arranged any which way you like, would have all the shapes, colour and contrast of a masterpiece.

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Splash

August 28, 2015

At school, swimming caps were mandatory, and we hated them. It didn’t matter how much talc we poured in, they were always such a pain to peel on and off. I heard a similar lament this morning from a woman who grew up in the 60s who said that while her latex cap was pretty to look at (a psychedelic flower print) it was always so painful “especially when my Mom pulled it off my head, pulling my hair out with it.” When men started sporting long hair and ponytails, she said, and still swam without a cap, women decided they could do the same. “If men didn’t have to wear swim caps, neither should we.” Of course these days, they’ve come full circle, with caps making a splash once again. Only this time around, it’s purely aesthetic.

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Pass The Gravy

August 26, 2015

When we were children, my parents had a wonderful Danish cook named Christa. Other than rugbrød, (a sourdough rye bread) which she made from scratch, there was nothing Nordic about her cooking. Instead, she prepared quintessentially English dishes like Shepherd’s Pie and roast beef with all the trimmings. Her Yorkshire puddings were the best I have ever tasted, all soft and pillowy and covered in homemade gravy. And her wafer thin lemony Dover Sole was perfectly crispy along the edges, and served with boiled potatoes smothered in butter and salt. For the lamb, she made her own mint sauce, although we mostly preferred jelly from the jar. Christa’s repertoire was not vast, but whatever she cooked was excellent. At tea time, she prepared fruit cake and coconut squares and shortbread topped with a slither of maraschino cherry. And on birthdays, she made elaborate cakes in the shape of fairy castles and football pitches. I don’t remember Christa smiling much, and she rarely showed us any affection, but she certainly poured love into our food. And to this day, I have yet to eat a traditional British Sunday roast quite like hers.

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mad hatters

August 24, 2015

It takes guts to don a topper. And I’m not talking about baseball caps or floppy fedoras. I mean an objet d’art du tête. On the patio at Terroni yesterday, I met a woman in her late 70s sporting a classic straw cap sent over the edge by a huge black straw pompom. “You look fabulous,” I told her. She wore the hat with such insouciance and confidence, and was genuinely delighted (surprised, even) by my compliment. I think we reach a certain age/stage in our lives when humour and chutzpah trumps trends, and when noshing on tagliatelle with a giant pompom on our heads is the new fabulous norm.

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Walk like an Egyptian

August 24, 2015

Cairo’s Egyptian Museum is as chaotic, dusty and beautiful as the city it’s built in. With it’s dark, stuffy corridors (there’s no air conditioning) and cavernous rooms stuffed full of ancient coins, papyrus scrolls, antique scarab amulets, coffins, masks and votive statues, it’s an utterly unusual museum experience in that it feels so real and uncurated. It’s like someone’s given you the key to Egypt’s underbelly, opening doors to Pharaonic treasures like you’ve never seen. One day, I’d like to go back to Cairo, spend hours in the museum, and then sail the Nile dressed like Mia Farrow in Poirot.

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Through The Looking Glass

August 21, 2015

Yesterday afternoon, as the rain came pouring down, Iole, Antimo and I took cover under Holt Renfrew’s large magenta awnings. Donald Robertson’s whimsical windows were a whack of high voltage colour on a grey day. Unless it’s a collaboration with a big name like Robertson, we rarely know the artists behind window displays. At Harvey Nichols, it’s Janet Wardley who spearheads the store’s wildly creative, head-turning displays. From magical fairy-tales and forests to circuses, air balloons and dinosaurs, standing on the south east corner of the Knightsbridge and Sloane Street always feels like a front row seat at the theatre. The windows at Bergdorf Goodman are equally sensational. I can’t visit New York without going to see what David Hoey has created for the season. The man’s a creative genius. “Opening a window is a bit like a premiere,” he told the Daily Beast. “We try to get people’s attention by putting on a show. You have to do all sorts of things to make a stream of pedestrians into an audience. It’s extremely ephemeral. It’s very of the moment.” Here in Toronto, there’s one window that never fails to stop me in my tracks. I’m not sure if Kalpna Patel is still behind all the displays at Type Books, but I’m a big fan of her eye-popping style. And as Wardley said in a Q & A for Retail Focus, you don’t need a large budget to create effective displays. “The budget at Harvey Nichols is surprisingly small and mostly we work with easily obtainable materials. It is the idea, the skills of the builders and dressers, and keeping true to the idea that makes a scheme work.”

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