Inspiration

mustard

April 26, 2025

My love of mustard dates back to the mid-80s when as an eight year old child I used to sit in the bay window of my school watching children spill out from the school across the road in mustard cable knit jumpers and rust coloured knickerbockers wishing my uniform was anything as cool. You could spot a Hill House kid from a mile away. Other schools dressed girls in grey flannel skirts and navy pinafores; knickerbockers just seemed like the epitome of fun. Who knows if the kids across the road were having as much fun as I thought they were but their uniform communicated that they were a fun loving bunch. In British slang, “mustard” refers to someone excellent and/or enthusiastic. “She’s mustard!” is how a part Geordie friend describes her ebullient teenage daughter. I wonder whether the school’s founder, Liberal Party politician, Stuart Townend had that in mind when designing the Hill House uniform back in the late 40s. I read that he and his wife, Beatrice wanted a uniform that was vibrant and versatile so that their students could be spotted all over London, as comfortable in the classroom as on the playing field. “Grey uniforms produce grey minds,” said Mrs. Townend. I updated my profile photo last week, and no surprise, I’m wearing a mustard linen jumpsuit from one of my favourite British brands, Toast. Forty years on, and the colour still represents fun and play, warmth and nostalgia.

“W.H. Hudson says that birds feel something akin to pain (and fear) just before migration and that nothing alleviates this feeling except flight (the rapid motion of wings).” Lorine Niedecker

April 4, 2025

a spoonful at a time

March 26, 2025

This is my fifth collection of spoons since the first one I made last winter and the bowls are getting deeper and stems thicker as I move towards shapes that are softer in the hand and still playful to the eye. Practice, practice; pinch, pinch; paint, paint. I made these ones at my kitchen table while listening to Bella Freud in conversation with Cate Blanchett. “Nowadays, aspiring filmmakers are often told to find their own voice. But I would encourage stealing from everyone and everything, which is what I have done. I think that in part you are paying homage to your role models, but it is also a way to connect. In a way, you are in conversation with the actor or filmmaker you are stealing from. The obsession with being original or groundbreaking often works as a pitfall.” To make these spoons, I stole from Suzanne Sullivan whose ceramic spoons were the first I ever loved, and from Paula Greif who inspired me to bundle them together as sets. I stole from Kate Semple who brings a freedom to her craft that I only ever feel in bursts. And from Nigel Slater who doesn’t make spoons but writes about them in a way that inspires those who do. It was Alexander McQueen who said, “If you’re lucky enough to use something you see in a dream, it is purely original, it’s not in the world, it’s in your head.” Most things I create are an amalgam of stealing and dreaming. I like to think of our brains as containing one of those moving carousels filled with images captured over time; one never knows which images will show themselves and when, and how we will distill them into the things we create.

“Give my greetings to the sky and the mountains and the sun and the wind.” Georgia O’Keeffe

March 14, 2025

paper, scissors, ring

March 14, 2025

Paper artist, Jeremy May designs sculptural rings inspired by the books they’re made from. He begins with a book and a ring shape and meticulously cuts through the book, one page at time, until he has hundreds of layers of paper that he stacks together and compresses (using his secret lamination technique) to make the ring. Thick book, big ring. Very often clients will have a book in mind. “After I receive the book, I read the book completely. While I’m reading, I’m sketching. Within the words, I get inspired for the design of the jewel.” May scours second hand book shops for hidden gems and has amassed a vast book collection of his own. If selecting a book for my jewel, I’d choose The Odyssey; the stories were so much a part of my childhood with visual possibilities a plenty. The piece below was inspired by Coleridge. But already I’m seeing the sails of a Homeric ship.

dungarees

February 17, 2025

There was a brief period in the early 90’s when blue dungarees over tiny t-shirts (and a push up bra) was my uniform. I was an avid Neighbours watcher and Kylie Minogue –– aka Charlene the mechanic –– left a mark. There was something in the comfort of dungarees, open on one side, low in the front, that was so appealing to me at a time in my life when I wanted to be highly visible and I wanted to disappear. The uniform allowed for both, and straddled the line between masculine and feminine, flirty and modest, too much effort and none at all. I look at my daughter’s generation and see similar contradictions in their uniform of baggy sweatpants and voluminous hoodies that unzip to reveal minuscule ribbed tops in all shades of sherbet. To some degree, we never completely outgrow these tensions. They’re always with us and always changing. And is that such a bad thing? Outfits (people) are much more compelling when they’re an odd jumble of contradictions. As a middle aged woman, I am still wearing dungarees. Only this time around, I pair them with my son’s old flannel shirts and ochre woolly socks. Has my need for comfort consumed every ounce of sex appeal I ever had? I swap my socks for a pair of lurex silver ones. And add a flush of pink to both cheeks. That’ll do, for now.

rainbow connection

January 21, 2025

No matter how many rainbows we see, they never stop being amazing. It’s almost impossible not to turn to whoever’s next to you, even a stranger on the bus, and share in the fleeting wonder of a sky awash with red and green, blue and orange, yellow and violet. Natural phenomenas kindle our sense of wonder and remind us of our humble place in the world. Volcanic eruptions, natural light shows, ice circles; very often, it’s the communality of the experience that is as affecting as the sight itself. Back in April, millions of people witnessed the ethereal spectacle of a total solar eclipse as it swept across North America. As I walked home from my studio that day, I felt a surreal connection with all the many people gathering in clusters under the darkening sky. There’s nothing like a natural phenomena to bring a city to standstill and to turn our attention to the sky, to each other, and to ourselves. Even ones as everyday as sunsets feel like an invitation from the universe to pause and pay attention. It was in this spirit that I joined the worldwide group meditation yesterday in honour of filmmaker, David Lynch’s legacy and 79th birthday. “Let us come together, wherever we are, to honor his legacy by spreading peace and love across the world,” wrote his children in a tribute on social media. “Please take this time to meditate, reflect, and send positivity into the universe.” I suck at meditating. And I’ve not watched any Lynch films. But he seemed like a celestial guy. And God knows the world could use a huge embrace right now. And I love the feeling of connectivity that emerges through communal experience. So I rolled out my mat, settled into lotus pose and for a few minutes turned my face towards the sun. A globe-wide mediation, much like the two minutes of silence observed on Remembrance Day, can encourage emotions not so dissimilar to ones we feel when we see a rainbow or a sunset. Gratitude. Awe. Hope. Humility. Connection. Even if there’s no one sitting beside you, you know that someone, somewhere is sharing in this moment, too.

tea time

January 13, 2025

One of the first things I purchased when I came to Canada was a glass Bodum teapot. I loved watching the water turn from translucent to a glimmering green. Like most Brits, I grew up drinking tea; always sugary and with lots of milk. At my Dad’s house we drank loose leaf Earl Grey poured through silver strainers into porcelain Wedgewood cups. At my Mum’s house, we dipped Digestives into mismatched mugs of boiling hot Tetley’s. My parents chose to live in very different worlds. Tea tasted wonderful in both. Once I settled in Toronto, I used to walk up to Summerhill to buy loose leaf Ceylon, Assam and Rooibos from the lovely Marisha at House of Tea. And when I started making friends I invited them over for a cuppa. My neighbour, Alison would often pop in with oat biscuits to dunk in the lemon ginger tea we both liked. There are few things more comforting then sharing a pot of tea with a friend. As my children got older and life got busier, teatime lost its sense of ritual. My Bodum teapot cracked and I stopped buying loose leaf teas. A few weeks ago, a friend popped in for an impromptu visit and all I had to offer her was a sad old chamomile tea bag. I didn’t even have decent honey to tart it up with. What kind of an Anglo-Greek has no tea and honey in the pantry? And then rather wonderfully a handmade, red clay teapot appeared under the tree from my husband this Christmas morning. With at least six or seven parts that all have to work together, the teapot poses all kinds of challenges for a potter. This one –– humble and refined –– is among the nicest I’ve ever seen. I’ve since stocked up on a variety of teas (from red rose to a fancy darjeeling) and teatime is starting to feel ceremeonious again. Of course, a pot of tea tastes best when shared so I hope you’ll visit soon. And bring biscuits.

vessel of joy

December 7, 2024

I’m drawn to ceramics that have a sense of humour, and Kelly Jessiman’s classic Hellenic shapes are brimming with it. It’s her handles –– wonky, lopsided, elongated –– that bring the whimsy. Her surface decoration has a painterly quality, as though each vessel is a canvas. It was a dear artist friend that first introduced me to Jessiman’s work. A friend who brings great humour to her own work. All the eccentricity, colour and contradiction that make a vessel (person) interesting are present in these vases. Jessiman fires her work in a shed in her garden, which is the dream.

oh, Christmas Tree

December 3, 2024

It wasn’t until a few years ago when a neighbour’s daughter watched me bring a giant conifer into the living room that it dawned on me what a strange tradition it is. “There’s a tree next to your couch,” said the little girl. Her family is Jewish and this was her first time decorating a Christmas tree. In recent years, I’ve suggested alternatives to my family –– amaryllis in clay pots, a plug-in olive tree, or how about some twinkly branches? –– all met with varying levels of conniption. The year I doused a three-foot Balsam Fir in lights will forever be the year Mama Stole Christmas. I get it. Had my Mum proposed juniper berry branches in slender glass vases as an alternative to the plump, jolly green confection I was used to, I would have probably lobbed a mince pie at the wall. Christmas overwhelms me. It overwhelms most of us. The lights, the music, the excess. The cloudburst of needles. The heightened expectations. It is a lot. Bringing a ten-foot tree into a skinny Victorian and stationing it next to your couch for a month, is a lot. But we do it because we know that our children love the tradition. And because we loved it when we were young. And because, despite the bickering and breaking of baubles and untangling of wires and NEEDLES EVERYWHERE –– not to mention the sheer bizarreness of it all –– a tree covered in lights and sparkle really is a sight to behold.

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