Inspiration

lights up

February 3, 2022

When I read that Helle Kaarem had a background in stained glass, it made so much sense. A deep appreciation of colour and light as expressions of emotion sweeps through her large scale abstract paintings. Her layers of irregular jewel tone shapes look like sea glass that’s washed up on a beach. I love how the colours are both clean and muddy, opaque and translucent, and how somehow, they all work so beautifully together.

all the flowers

February 3, 2022

On his wet and slushy day, I bring you a garden in full bloom. Geraniums, dahlias and zinnias, galore. It’s one of my favourite things, mismatched pots stuffed full of summer blooms. And look, they’ve even got colourful fairy lights nailed to the eaves. Only a month and a chunk to go, before daylight saving time begins.

pearly whites, pinks & golds

February 1, 2022

As a little girl, I had a pair of screw back pearl earrings that I wore all the time. I vividly remember loosening and tightening the screw in the back, and how sometimes, they’d squeeze my ears too tightly. Even though I never wear them, I love pearls, particularly baroque ones that aren’t perfectly round. My grandmother wore pearls often, reams of them, beneath a crisp white collar. Pearls can be classic, and avant garde. I do love how this Melanie Georgacopoulos’ baroque ring looks like iridescent liquid. These tiny pearls, in all their weird and wonderful shapes and sizes, are a tiny glimpse into the sheer variety out there. And that they all come from the bowels of mollusks.

around and around

January 31, 2022

Lee Jae-Hyo’s eye popping sculptures crafted from discarded trees.

Laura Gilpin‘s beautiful images of the Diné (Navajo) people.

The colourful, zany world of artist, Kelly Knaga.

Yellow dress, yellow taxi cabs. Pops of colour courtesy of the great, Harry Gruyaert.

Dreamy pleated dress by 60s fashion designer, Ferdinando Sarmi.

hot doc

January 27, 2022

Between one thing and another, I never made it to the cinema in the Fall, and now that they’re shut again, it’s all I want to do. Cue Tom Keifer’s lyrics, “Don’t know what you’ve got (till it’s gone).” Daytime documentaries at the Ted Rogers Theatre are one of my great pleasures. When the theatres re-open next week –– let’s hope –– I’ll be there, popcorn in hand, watching whatever is playing. Some subjects interest me more than others. Art, fashion, Floridian octogenarians. At home, I watch a lot of drivel; sappy movies, re-runs of old sitcoms, Grey’s Anatomy and This is Us. It’s all very comforting in its predictability. So, when I go to the cinema, for 90 minutes or so, I want to be immersed in a world that I know little or nothing about. Eagle hunters in Mongolia; truffle hunters in Piedmont; people whose homes are smaller than a standard parking lot. There are never more than five or so people at the matinées, and the popcorn is better than anywhere else. And yes, I dress like Brigitte Bardot for the occasion.

the birds

January 25, 2022

These images of starlings flying in unison across a moody Danish sky are breathtaking. The series, shot by Danish photographer, Søren Solkær captures the wonder of migrating birds. “Shapes and black lines of condensation form within the swarm, resembling waves of interference or mathematical abstractions written across the horizon,” he writes. “At times the flock seems to possess the cohesive power of super fluids, changing shape in an endless flux. From geometric to organic, from solid to fluid, from matter to ethereal, from reality to dream –– an exchange in which real time ceases to exist and mythical time pervades.” Many of his images look like abstract graphite drawings, and this one is so saturated with starlings that it could be a Jackson Pollock. They really are mesmerizing.

departed

January 24, 2022

Who could imagine Meat Loaf, Betty White and Thierry Mugler at the same farewell party. André Leon Talley no doubt ups the dress code from smart casual to white tie, arriving in swaths of jewel-toned moiré satin. Sydney Poitier wears an Armani tuxedo. Bob Saget spreads love and laughter. Meat Loaf and Betty slow dance to one of his power ballads. Does anyone else wonder whether the universe orchestrated this eclectic mix of departures?

around and around

January 21, 2022

The worktable of artist Claude Bauret Allard.

Sakiyama Takayuk’s beautifully tactile sculptures.

Jamie Okuma’s richly detailed bead work.

Hockey practice.

The Water Bearers by Jack Davison.

still

January 20, 2022

Somewhere over the course of the last two years, I learned to sit still. My friend, Charlotte, who as a child spent endless hours in the pews of her community church, comes by this pastime naturally. For me, the act of sitting still, staring at a wall, a cloud in the sky, a splodge of paint on the floor, has never come naturally. I fidget, I pace, I find something to do. Pick up the dry cleaning, roll out some clay, squeeze in a swim. Waiting for the gynecologist to arrive was always a test. I’d scan the walls for babies that my baby might look like. I’d scroll through my phone for unusual baby names. “Niobe?” Waiting for flights was another test. What a bore. “We are currently boarding passengers in zone one.” Fack. And what of the countless hours spent sitting outside a gym/swimming pool/dance hall/rink etc… while my children learned a new skill? I talked to more people, exchanged more life stories, highs, lows, traumas, tantrums and triumphs in these hours, than in any others. Never did I find a quiet spot to roll into a child’s pose in. These days, I would. These days, I do. “What are you doing?” my son asked me earlier as he walked in to find me sitting upright on the sofa staring at the wall. “Nothing.” Doing nothing, I have come to appreciate, is a pastime. And a worthy one, at that. Through yoga practice, I am learning to sit still for very long periods of time. My mind is rarely as still, but like clouds moving through the sky, the thoughts come, and then they go.

material matters

January 19, 2022

For a long time, I’ve thought about creating a textile made up of swatches of fabric that hold significance for me. Between boxes of richly patterned baby clothes, vintage t-shirts, old curtains, pochettes, and fabrics snapped up at markets all over the world, I could fashion a rather large wall-hanging of material memorabilia. Well, when I say, I –– what I mean is a good sewer, because I’m hopeless with a needle and thread. These beautiful pieces by Japanese-Jewish textile artist, Magumi Shauna Arai offer inspiration. Each one pays homage to the Japanese Boro tradition, (meaning “rags” or “tatters”) and combines Arai’s hand-dyed fabrics with a smorgasbord of vintage textiles. This may be another one of those creative projects that never makes it to the wall. Fun to think about though.

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