Andrew Baseman is an interior designer, author and set decorator with a passion for repaired ceramics. His blog, Past Imperfect explores the world of “make-do” repairs, spotlighting broken objects, such as an antique cream jug with makeshift metal handle, that someone chose to bring back to life. We live in a throw-away world, and it’s humbling and inspiring to see such care and creativity brought to objects that most people today would discard. It’s the battle scars that give the pieces their personality, that make them unique. Much like, Kintsugi, the ancient Japanese art of mending broken pottery with gold leaf, these beautiful repairs reflect a resourcefulness, resolve and imagination in the maker that is wholly beautiful.

People often ask me if wet, dreary days like these make me feel at home. “Just like England, eh?” It’s true, the rain, like cheddar and tea, makes people think of England. Funnily enough, I don’t remember it raining much at all when I was a kid. I’m sure it did all the time, but children don’t notice or care about the weather the way adults do. Kids aren’t making contingency plans or worrying about catching a chill if they get caught in a downpour. They don’t care about consequence or being cold and wet as long as they’re having fun. “My childhood winters were so much colder than they are today,” said a studio mate this morning as we lamented the lack of natural light. “But I don’t think I payed attention to the cold. Children don’t.” It wasn’t until I moved to Norfolk in the late 90s that I realized how I much it rains in England. The combination of incessant drizzle and Brutalist architecture made for a rather gray time. Thank heavens for brilliant house mates. The line between childhood and adulthood is blurry. For me the shift was at around 19. I lived on my own. I was out in the world. I started noticing the weather.

I learned the word, Weltschmerz this week, which in German literally translates as, “world pain.” It’s a feeling triggered by the inexplicable pains and evils of the world, when our ideals of how the world should be collide with the darkest of realities. I learned the word from a dear friend of mine, who like many people this week, had to support her child through many questions and anxieties around the war in the Middle East. It’s a devastating thought, that our collective heart is as heavy as it is right now. With the very essence of our shared humanity being so brutally challenged, how could it not be. These words from Toni Morrison bring solace. “No more apologies for a bleeding heart when the opposite is no heart at all. Danger of losing our humanity must be met with more humanity.”

As a ceramicist, I’m often thinking about what my vessels might hold. Is this long enough for asparagus? Deep enough for soup? Beautiful enough to hold nothing at all? When life is really busy and intense, as it is right now, I return to the tiniest of vessels. The focus they demand is so strong that everything else turns to black. I can’t think too much about what these tiny vessels will hold –– salt, sand, air –– or pragmatism will take over and I won’t make anything at all. And so I stand here, pinching tiny bowls on tiny pedestals with tiny handles, knowing that their end function matters so much less than the focus they are bringing me in the here and now. The beauties below are by Japanese artist, Yuta Segawa. I own five of them, and they’re filled with nothing but dust and joy.

The grilled cheese sandwich I ate for lunch today made my day. So did the rocks I found down on the lake. But the best part of my day was discovering the work of British collage artist, Jo Waterhouse. I’m not sure that I’ll ever have the good fortune of owning one as they sell out fast but I’m happy to know they exist. It’s her wonderful women –– all a bit grandma-witchy –– that I adore. And just as good, are their brilliant titles; “a sturdy woman on a mission to do something important involving some branches,” or “a sensual woman in the sheerest of dresses invoking the power of the piscean.” Please watch her short introductory videos. I bet they’ll make your day, too.

Today was one of those days that make you wish it was September all year around. I was lucky enough to spend a lot of it on a patio. If not for the intermittent breeze, I might have forgotten I was even outside. Not too hot, not too cold. This thinking always brings me to the same place: if there were no sweltering Augusts and frigid Februaries would I appreciate September as much as I do? Would I become complacent to the joys of warm and breezy if I felt it all the time? Are periods of “grace” that much sweeter when we know what it is to struggle? “The way I see it, if you want the rainbow, you gotta put up with the rain.” Sing it, Dolly. One of my favourite summer pastimes is to sit on the bench on our front porch until it goes dark. Every year around this time I start to lament the loss of this simple pleasure. The days are shorter, the evenings are chilly. I retreat inside to baked potatoes. To Netflix. I try to get cozy. Prepare for Winter. And whatever it has in store.

Between a nasty infection in my chest, a vicious wasp sting on my son’s ring finger, and a skin infection that left a constellation of flaming red sores across the right side of my teenage daughter’s face, I’ve spent a fair bit of September in a doctor’s office. The upside of sickness was a chance to read books and watch films, two things I don’t do nearly enough of. Kerry Clare’s latest book, Asking For A Friend hit home in so many ways. Just as relatable, was Julia Louis Dreyfus’, You Hurt My Feelings. What I was drawn to in both, and what I’m mostly drawn to, is material that’s familiar and accessible and that helps us better understand and connect with the human experience. I related viscerally to Clare’s portrayal of post-natal anxiety and the unspooling that her protagonists undergo in early motherhood. And watching Louis Dreyfus cry on camera after her character overhears her husband, her greatest champion, admit that he hates the book she’s written, is shattering. The characters’ beautiful, relatable and unavoidable flaws make the stories so true to life that we can’t help but reflect on our own life experiences. “The secret of the Great Stories is that they have no secrets,” writes Arundhati Roy. “The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in.”

As a kid, we had a cat that pooed in our bathtubs when we went out for long stretches or forgot to feed him. He was cold and aloof. If not for the fact that he made for a beautiful foot muff — he was a Persian Chinchilla — I’d have nothing nice to say about Mowgli. To be honest, I’ve never had much nice to say about cats, in general. Sure they’re pretty to look at, especially those Russian Blues, but for the most I’ve always found them self serving, unpredictable and arcane. It’s a running joke with one my best friends, Izabela that I am, in fact, part cat. “But they’re so neurotic,” I say scornfully, to which she always smiles and says something like, “umm,” or “uh-huh.” If I’m a cat, she’s a toad. Then a few weeks ago, I happened upon this description of cats by The Colour Purple author, Alice Walker, that made me re-consider my view on cats. “Cats, in particular, teach us to be ourselves, whatever the odds. A cat, except through force, will never do anything that goes against its nature. Nothing seduces it away from itself.” As someone who has too often abandoned her true nature for the sake of acquiescing others, and/or an image I would like others to have of me, I have great admiration for anything and anyone that protects theirs. If Walker’s right about cats, then living like one is gutsy as hell. It means risking being disliked, dismissed and misunderstood — are cats selfish or self aware, aloof or deeply sensitive — in exchange for a freer and more fulfilling life. “Contemplate ways we can strengthen our resolve to live our lives as who we really are,” writes Walker. I can be selfish, solitary and very sensitive, all common cat traits that most humans resist in themselves and yet no feline ever makes apology for. More and more so, I’m trying to do the same. There’s a cat in me, after all. I text Izabela with the news. “I always knew you had it in you.”

It’s my daughter’s birthday, and as is always the case when one of my children celebrates a birthday, the day was a smorgasbord of feelings, from nostalgia and regret to gratitude, pride and pure joy. Throw in some smoked ham and a boiled egg for good measure. It’s hard to celebrate your child’s next spin around the sun, without reflecting on the fourteen that have already spun. FOURTEEN. That’s a lot of highs and lows (hers and mine), spilt milk, exploding diapers, tears, laughter, jaunts around the shopping mall, to reflect on. That’s a lot of expectations not met (you will fall in love with her the second you see her) and so many that exceeded your wildest dreams (when the love comes it will be so immense that your heart will have no choice but to triple in size). That’s a lot of firsts; first steps, first stitches, first time away from home. It’s Iole’s birthday today, and I watched her open gifts and eat carrot cake with too sweet icing from our local bakery –– all the lovely, mundane things –– while quietly remembering and marveling and wishing her the universe.