Fashion

only pink

July 18, 2022

I think about colour combinations the way my foodie friends think about parings of flavour. I get as excited about turquoise and terracotta as they do about ginger and yuzu. A bad colour combination is as hard on the eyes as a peanut butter and onion sandwich is on the stomach. I understand, taste is subjective, but some things are not meant to be partnered. Puce and acid green, please leave the room. I will always come back to pink. Pink is my safe place. Everything, and I mean everything, looks good with pink. Chartreuse, check. Mustard, check. Cornsilk, check. Tangerine, double check. From a fleshy, Renoir pink to the hottest Schiaparelli, pink is the winning hue. It’s my pantry staple. Pink is my pepper.

around and around

June 28, 2022

Beautiful land art by Jon Foreman.

This charmingly cluttered London home.

Rainfall.

Jules Olitski’s colour rich irregular shapes.

The art of tablecloths.

Summer dresses by Daniela Gregis.

around and around

June 16, 2022

Scott Bergey’s muted pallet and whimsical style.

Carol Russell’s charming wooden spoons.

Elderflower and Gin sorbet.

This retro bather.

Dream car.

An Inuit woman and child giving each other a kunik.

flower power

June 15, 2022

If I were going to a big fête, you know, at a Rockefeller estate or a small castello in Como, I’d wear a frock by mother/daughter duo, Bernadette. The Antwerp-based fashion label is chic and playful, and takes summer florals to another level. Think full length taffeta adorned with sunflowers or wild hyacinths. Or mini dresses, fashioned from sorbet orange Italian silk. These are dresses to dance until dawn in. These are dresses that come home grass stained with chocolate gelato down the front. As an aside, Bernadette also makes a delightful line of ceramics; simple teapots and bowls covered in the brand’s signature florals. So much to love.

hats off

June 10, 2022

I’ve been eyeing this summer topper for months now, and I’m on the verge of pressing add to cart. Designed by Sydney-based artist, Lorna Murray her accordion pleated hat looks like something Audrey Hepburn might have worn dashing across the Piazza Di Spagna in Rome. It’s hard to choose a colour, but I am leaning toward the emerald green, ‘Ravello‘ or the blue and white, “Praiano.” I rather like this terracotta, too. Once on, I’m not sure I’ll ever take it off.

around and around

June 8, 2022

Mohamed Ahmed Ibrahim’s colourful Robots.

Gertrud and Otto Natzler’s magnificent glazes.

Mackerel, green sauce and preserved lemons.

The summer shoe that gets better with wear.

Elsworth Kelly’s temple of light.

hairstory

May 26, 2022

Ballerina meets librarian –– such is the small, low bun. It’s where I’ll be for a while until my hair is long enough to wear it in a top knot again. I liked the bob, I really did. It gave me the change I yearned for. I used my hair dryer so much it blew a fuse. I bought mousse. And diamante bobby pins. I considered different necklines. It was fun. Like a sojourn in the French countryside. And now I’m ready to come home.

wood you rather?

May 17, 2022

Not since the 70s have clogs been so popular. Only this time around, choices are endless, from black patent to neon snakeskin, and everything in between. No amount of Italian leather can make a clog “pretty”, and that’s part of their appeal. Think of them as the middle finger to every strappy stiletto you’ve ever endured. These ones from Ontario-born designer, Charlotte Stone are my favourites. If I ever consider dancing in heels again, these chunky, disco inspired numbers would top my wish list. In these, my feet may actually survive the dance floor.

new normal

May 4, 2022

Born in Morocco and raised in Belgium, Mous Lamrabat‘s photographs are an eye-popping fusion of his Arab heritage and the Western symbols he grew up with. Think models dressed in Gucci djellabas and superhero burkas. “As a child of first generation immigrants, there is always a point in your life where you feel like you don’t fit in anywhere; not in the country you were born in nor in the country you were raised in,” says Lamrabat. “I felt like I was too Moroccan to fit in as a Belgian and too European to fit in as a Moroccan, and this is something that almost every immigrant has to deal with.” Through his photographs, Lamrabat is honing a visual language that captures both the universality and uniqueness of this experience, while dismantling stereotypes and cultural norms and paving the way for something new and more flexible. “As a kid, I loved wearing djellabas and rocking them with my Jordan sneakers. It felt “cool” at that time because that’s who I was: a mixture of identities. Doesn’t it make sense that your “idea-basket” gets larger when you live in different cultures or you live in multiple places in the world?” The eyes, and often the whole face, are covered in Lamrabat’s images, which interestingly, makes his subjects even more accessible. It’s the experience that we’re connecting with rather than the individual. “I love creating from a perspective that it’s not about one person,” he says. “The face takes so much information away and doesn’t leave that much to the imagination…. I feel when the face doesn’t show, the person who is looking at the image puts their own face in there.”

acid wash

April 28, 2022

I’ve worn acid wash jeans exactly twice in my life, once when I arrived at Kingsley Pines summer camp in Maine, and the other to a Madonna concert in Toronto in 2003. It’s not a good look, even in the hands of my favourite contemporary designers. I lost so much weight at camp –– a combination of home-sickness and non-stop outdoorsiness –– that my jeans practically fell down when my Mum came to collect me three weeks later. I didn’t own another pair until 15-years on, when my friend, Antonella and I rifled through racks of jeans at a local Value Village looking for the perfect pair to channel Madonna in. Our black suede pumps, white lace gloves and rhinestoned chandeliers completed the look, and off we went to true blue the night away. Acid wash jeans date back to 1960s California surf culture, when ocean sprayed surfers got fed up of fading their jeans in the sun and resorted to chlorine bleach instead. Then came the gaudy 80s, and between the neon and the shoulder pads and the animal print, acid wash jeans with a paper bag waist fit right in. They have no place in 2022 unless bleach falls on your favourite jeans while you’re doing the laundry.

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