In search of the elusive snow leopard.
The stones of Stenness, Orkney, Scotland, 1906.
Molly Mahon’s marigold wallpaper.
Exquisite ceramic flowers by Kaori Tatebayashi.
Humour from Hermès.

In search of the elusive snow leopard.
The stones of Stenness, Orkney, Scotland, 1906.
Molly Mahon’s marigold wallpaper.
Exquisite ceramic flowers by Kaori Tatebayashi.
Humour from Hermès.

Lee Jae-Hyo’s eye popping sculptures crafted from discarded trees.
Laura Gilpin‘s beautiful images of the Diné (Navajo) people.
The colourful, zany world of artist, Kelly Knaga.
Yellow dress, yellow taxi cabs. Pops of colour courtesy of the great, Harry Gruyaert.
Dreamy pleated dress by 60s fashion designer, Ferdinando Sarmi.

For a long time, I’ve thought about creating a textile made up of swatches of fabric that hold significance for me. Between boxes of richly patterned baby clothes, vintage t-shirts, old curtains, pochettes, and fabrics snapped up at markets all over the world, I could fashion a rather large wall-hanging of material memorabilia. Well, when I say, I –– what I mean is a good sewer, because I’m hopeless with a needle and thread. These beautiful pieces by Japanese-Jewish textile artist, Magumi Shauna Arai offer inspiration. Each one pays homage to the Japanese Boro tradition, (meaning “rags” or “tatters”) and combines Arai’s hand-dyed fabrics with a smorgasbord of vintage textiles. This may be another one of those creative projects that never makes it to the wall. Fun to think about though.

Unlike her Mum, who’s drawn to a kaleidoscope of colours, my daughter’s palette skews more neutral. With the exception of an occasional stripe, she has little interest in print. Frill and flounce have no place in her wardrobe. It’s hard to imagine that Iole once lived in frothy ballgowns and wore tropical fruit on her head. For years, she was a jumble sale of smocked Liberty dresses, stripy leggings, glittery shoes and ridiculously large bows. Yes, I had a lot to do with this hodgepodge aesthetic, but the flare with which she wore it, that’s all hers. And then at age seven, feathers and florals were abruptly abandoned in favour of lycra. She changed her style to fit in at a new school. Black leggings, cotton tees and oversized hoodies in various shades of cement became her uniform. And while I missed the colour and originality of her outfits, and lamented the loss of her un-self consciousness, I did appreciate this new minimalism. I also came to understand that her need to see herself mirrored in the girls around her was both natural and necessary. We are alike my daughter and I, and we share a lot of common interests; our taste in clothes could not be more different. And that’s a good thing. These days, she cringes when she sees old photos of herself in lamé leggings and a sequin bolero. “I can’t believe you let me go to school wearing that!” I don’t say a word. The sartorial journey is long. As is life. Fitting in is innate. So is standing out. Expect plenty of black, with chances of ruffles.

British Sculptor, Laura Ellen Bacon‘s otherworldly sculptures.
The exquisite mind and craftsmanship of Rowan Mersh.
Alexander Calder’s Connecticut studio.
Yuko Nishimura‘s beautiful paper sculptures.
Bold and bizarre forms from German ceramic artist, Monika Debus.
British artist Victor Pasmore at work.

“If people don’t like my house, then I don’t like them,” says Australian artist, Greg Irvine of his fantastically cluttered Melbourne home. Imagine walls of mismatched vintage plates, tortoise shell combs, teapots, scent bottles, books, biscuits tins and bangles. The house is a feast for the eyes, as colourful and detailed as Irvine’s large scale paintings. “I have to be surrounded by beautiful things,” he says. Antiques of all kinds appeal to his eclectic taste, and fabrics, collected over time, weave their way into his paintings. Have a walk around; fellow collectors will no doubt swoon. And those who don’t? Well you won’t be invited back.

Beautiful, exuberant and bizarre, Severine Gallardo‘s headpieces are topping my wish list for 2022. The French fibre artist attributes her love of textiles to both her grandmothers who felted, embroidered and knitted throughout her childhood. Folk art, the art of Africa and Oceania and artist, Sonia Delaunay are all inspirations. They really are wonderful. Now the question is, to wear, to display, or both?

New York street photographer, Godlis’ fabulous 70s snapshots of Jewish retirees in Miami Beach.
Hand blocked blouses over at Alix of Bohemia.
The colour rich, abstract paintings of Indigenous Australian artist, Naomi Hobson.
A rose tinted collection from Atlantique Ascoli.
Saul Leiter‘s, ‘Blue Umbrella.’ Spain,1959.

There are few garments cooler than the white shirt. Even the most avant garde riff on this wardrobe staple has a feeling of establishment to it which makes it the easiest thing to wear to pretty much any event. I have about seven white shirts, each one with its own unique personality. I’ve accumulated them over two decades and they’re my go-to when I want to dress up but I don’t want to dress up. My favourite white shirt is billowy enough to hide two people under, with interesting pleats, and a quirky Peter Pan collar to boot. It’s gone to the cinema, to the beach and to a dozen parties.

The thing about gold shoes is that they feel like jewellery for your feet. I have a pair of Louboutins with vertiginously high heels that look like they were carved from 22 carat gold. They are such a fierce colour, especially against the flash of red soles. I have another pair, Prada gladiators, that are closer to an 18 carat. They’re more subtle, but no less fabulous to wear. Lastly, I have a classic Monolo pump in a gold so mellow that it could have been plucked from a sunset. All these shoes live in their boxes, relics from another life. Once in a while, I’ll peek inside their boxes and admire them the way I would a ring, or a bracelet, or any other jewel. It would be hard to sell them, or give them away. Here’s hoping my girls have small feet.

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