“Of all mediums, clay is the most versatile, pliable and human,” says Kenyan-born British studio potter, Magdalene Odundo. The magnitude of possibility never seizes to amaze me. Every potter begins with the same ball of mud. Rogan Gregory morphs his mud into anthropomorphic lights. Barbro Åberg turns clay into spirals, pleats and bubbles. Floris Wubben‘s functional vessels look like parts of a machine. I’m often humbled by how far the medium can be stretched in the hands of someone as daring, imaginative and original as artists such as these. Have a scroll through Ceramic Mix. You’ll be swept away.