As much as our brains would have us believe otherwise, things are rarely black and white. It’s in the vastness of the grey where uncertainty and fear swim which is why we so often hold on to the outer edges. But there’s no nuance or variation in the black and white. No richness. No imagination. Isobel Rayson’s woodblock carvings are shining examples of what lies between two opposites. There is so much intricate detail, possibility and originality in the grey, proving that it’s always worth diving into.