At first glance, Keisuke Yamamoto’s lithographs look like photographs. They’re that detailed. His hand-drawn stone lithographs of quiet, empty rooms demand you spend time with them, in them, in fact. “There are no re-dos with lithograph. It requires a great deal of systematic planning in the carving process. That’s why lithograph is fun,” says Yamamoto. Exquisitely crafted, with a beautifully meditative quality, the work reminds us to pause and reflect.